Product Details
Author : Sebastian Faulks
Binding : Paperback
EAN : 9780099394310
Edition : New Ed
Number of Pages : 512
Product Group : Book
Publication Date : 1999-07-01
Publisher : Vintage
ASIN : 0099394316
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Editorial Reviews
Amazon.co.uk Review
Sebastian Faulks established his authority as a storyteller with his best-selling Birdsong. His next book, Charlotte Gray, a haunting story of love and war set in London and occupied France in 1942-3, is loosely a sequel. Charlotte is a highly educated young Scottish woman who falls passionately in love with an airman, Peter Gregory, emotionally scarred by his many close brushes with death. When he disappears on a mission to France, she follows him as a British secret courier, sent over to help support the Resistance. Having failed to find Gregory, she decides to stay on to do what she can for the France she has loved since childhood. She and the reader are drawn ever deeper into the lives of assimilated French Jews-- the children Andre and Jacob whose parents have already been sent to the death camps, and the Levades, father and son. Though ultimately powerless to help, Charlotte nevertheless learns a far deeper understanding of herself and her own family through them.
This is a book full of insight into the way civilisation can slip into barbarism. Its haunting themes of memory and passion stay with you long after you have finished reading. --Lisa Jardine
Daily Mail
‘A brilliant, harrowing, powerful novel’
Independent on Sunday
‘…deserves the highest praise…masterful narrative and zestful pen-portraits. A beautiful near-masterpiece’
Financial Times
‘... Novelists are masters of the imagination. Faulks is no doubt a master’
Daily Telegraph
‘Excruciatingly powerful’
Book Description
In 1942, Charlotte Gray, a young Scottish woman, heads for Occupied France on a dual mission – officially, to run an apparently simple errand for a British special operations group and unofficially to search for her lover, an English airman missing in action.As the people in the small town of Lavaurette prepare to meet their terrible destiny, the harrowing truth of what took place in ‘the dark years’ is finally revealed.
Synopsis
In 1942, Charlotte Gray, a young scottish woman, goes to Occupied France on a dual mission: to run an apparently simple errand for a British special operations group and to search for her lover, an English airman who has gone missing in action. In the small town of Lavaurette, Sebastian Faulks presents a microcosm of France and its agony in 'the black years'. Here is the full range of collaboration, from the tacit to the enthusiastic, as well as examples of extraordinary courage and altruism. Through the local resistance chief Julien, Charlotte meets his father, a Jewish painter whose inspiration has failed him. In a series of shocking narrative climaxes in which the full extent of French collusion in the Nazi holocaust is delineated, Faulks brings the story to a resolution of redemptive love. In the delicacy of its writing, the intimacy of its characterisation and its powerful narrative scenes of harrowing public events, "Charlotte Gray" is a worthy successor to "Birdsong".
From the Publisher
'A worthy successor to Birdsong' Alain de Botton
About the Author
Sebastian Faulks:
Sebastian Faulks worked as a journalist for 14 years before taking up writing books full time in 1991. He is the author of titles including The Girl at the Lion D'Or, A Fool's Alphabet, The Fatal Englishman, Birdsong, Charlotte Gray and Human Traces.
Excerpted from Charlotte Gray by Sebastian Faulks. Copyright © 1999. Reprinted by permission. All rights reserved
Peter Gregory kicked the door of the dispersal hut closed behind him with the heel of his boot. He sensed the iciness of the air outside but was too well wrapped to feel it on his skin. He looked up and saw a big moon hanging still, while ragged clouds flew past and broke up like smoke in the darkness. He began to waddle across the grass, each step won from the limits of movement permitted by the parachute that hung down behind as he bucked and tossed his way forward. He heard the clank of the corporal fitter's bicycle where it juddered over the ground to his right. The chain needed oiling, he noted; the man was in the wrong gear and a metal mudguard was catching on the tyre with a rhythmic slur as the wheel turned.
He could see the bulk of his plane ahead, large in the night, with the three-bladed propeller stopped at a poised diagonal, the convex sweep of the upper fuselage looking sleeker in the darkness than by day. The fitter dropped his bicycle to the ground. He made his way over in the light of a feeble torch which he gripped between his teeth as he helped, with both hands braced against his parachute, to push Gregory up on to the wing. Then he clambered up himself as Gregory hoisted a leg over the side of the cockpit and slithered down inside.
'God, it's cold,' said the fitter. 'My hands can9t feel a thing. This north wind.'
Gregory switched on the instrument lighting and settled on to the sculpted metal seat, trying to make himself comfortable on his parachute. The fitter was talking as Gregory's eyes went over the lit dials. 'My boy's got this cough. I don9t know what I can do about it, stuck down here. Oxygen?'
The engine was started and the man was off the wing. He bobbed about underneath, then stood clear as Gregory ran up the engine before signaling him to pull out the chocks that held the plane against the wind. Gregory saw him hold up the torch when at last he straightened and picked up his fallen bicycle; he gave him a minute to pedal his way back to the fug of the blacked-out mess, to sweet tea and cigarettes. Then he opened the throttle and let the little plane creep forward across the grass, bouncing on plump wheels.
When he had taxied to the end of the strip, he turned the plane into the wind and waited. He shivered. With his bare fingers he was able to check the fixture of the oxygen and radio-transmitter leads in his headset. He inhaled the intoxicating smell of rotting rubber from his mask, then pulled the glove back on to his hand and grasped the stick between his knees. The R/T barked in his ear someone impatient to get to the barrel of beer he had seen being wheeled in that afternoon. The wind veered a little, due north, between the lines of hooded lamps on either side of the strip; it was making the plane toss like a small boat at anchor. Gregory checked the propeller was in fine pitch and opened the throttle. He moved forward. Almost at once the tail lifted and he felt the controls firm up in his hand. The engine moaned, and the plane bumped its way down the strip, where the forces of wind and speed first lifted it, then dropped it back to earth. He sensed the wheels come clear, then felt the ground once more banging through his spine as a down-draught forced him back. He began to mutter through clenched jaws, cursing; then with a small inward movement of his fingers eased the stick and felt the earth gone as the plane rose up greedily on the air.
Two red lights showed that the wheels were up and locked away. Watching the compass with one eye, he set the plane in a gentle climbing turn to the left. At about ten thousand feet he ran into moist and choppy cloud, thicker and more turbulent than he had seen about the moon. He feared the plane's jolting movement as he nosed it upward: there was the sense of something else up there with them, another element bearing down on the clean lines of his flight. His eyes ran along the rows of instruments. Flying by night was a violation of instinct; there were no steeples or bridges from which to take a bearing, no flash of wingtip or underbelly to show the vital presence of other aircraft. The Spitfire pilots' speed and daytime co-ordination were of no use: there were needles in glass jars and you had to trust them. Even when you swore you could feel the brush of treetops on the undercarriage, you must believe the altimeter's finger pointing at 10,000 feet.
As the thudding airscrew churned up the night, Gregory stretched inside his clothes. His feet were cold, despite the flying boots and two pairs of thick socks; he lifted them momentarily off the rudder bars and stamped them on the floor of the plane. Kilpatrick and Simmons had laughed when they came to fetch him to the mess after a flight one day and found him with his feet in a basin of hot water.
He was crossing the coast of England: chalk cliffs, sailing dinghies moored for better days, seaside towns with their whitewashed houses along the narrow streets that trickled down to wind-whipped fronts. When as a boy from India he had been sent to school by the English coast he had hated that wind and the blank sea with its baggy grey horizon.
Customer Reviews
Best book about WWII I have read (2008-08-11)  This is a terrific book - difficult to put down and a real literary achievement. It is fundamentally a romance set against a backdrop of war but is much more than that in reality.Not an easy read in terms of its subject matter as it deals with the worst aspects of Nazi atrocities as well as the bravery, clever scheming and misguided realpolitick of the Allies.Those in France involved with resisting the Reich are not forgotten, as are those who embraced the regime brought by their occupiers.I cannot think of anything negative to say about it. It doesn't pull any punches in describing the ludicrous propaganda used by the Vichy government and rightly so.The book is about love and how it drives people as much as "the horror the horror".As good as Birdsong, maybe better.
Still haunts me on the second reading (2008-08-06)  I read first read this book in my late teens and it haunted me then and brought with it a greater appreciation for literature that has stayed with me ever since. I decided to re-read Charlotte Gray now in my mid twenties and wasn't sure about how I would feel upon re-reading it.Happily, I was swept away again. Charlotte is a very likeable character and Faulks manages to evoke romance and passion without any sense of sentimentality. I loved the characters of Levade and Julien and felt that they bring an extra depth to the story, enabling us to see Charlotte's strengths and passions.It is a book that may teach you more about history and breaks down the barriers of time. Often books are either about war, or about love but this one manages to combine both without overshadowing the plot. I feel Faulks is a beautifully haunting and transporting writer and this book will remain in my list of favourites forever.
A moving book set in wartime France (2008-07-05)  Charlotte is a British spy sent into France in 1942, trained by the government to liaise with the resistance and pass messages. Secretly she is hoping to make contact with her lover, who has gone missing during a routine flight to France. She uses the resistance to try to establish his location and make contact.This love story is contrasted with the backdrop of war - the brutal treatment of Jews by the Vichy government and many of the French characters. The destruction of property and human life is captured in text that fully portrays the grim reality. Focussing on two Jewish children brings home the awful consequences of genocide, and regularly brought tears to my eyes. The descriptions were so real that I could see my own children following those footsteps.Maybe my slight criticism is that Charlotte's story and the Jewish stories don't seem to stick together. There is too much comment on French wartime behaviour for the novel to completely gel. But still a fine and moving read.
A moving journey (2008-05-27)  Having recently read and admired 'Birdsong' by Sebastian Faulks, I was keen to read Charlotte Gray. I loved it.What a fascinating, at times terrifying journey she undertakes! We follow her journey from Scotland as she heads south to London to do her bit for the war effort, meeting various people who each alter the course of her life, and one of whom she falls in love with, and it becomes her destiny to follow him to France. But on arriving in France and uncovering the truth of the situation there for some of the people, her mission takes on a much broader purpose as she seeks to mend or at least temporarily 'patch-up' the heartaches in the lives of some of those she encounters. It is beautifully written, with wonderful characters like the old man Charlotte looks after for a time in France, Levade, and his son Julien who is bravely battling in one of the Resistance movements, and with whom Charlotte finds a true and enduring friendship unlike anything in her past. Through the novel we learn of the events over in France during these 'dark' times, and to discover more about the ways of their then leaders and their complicity with the Germans in rounding up Jews is startling. It is extremely moving and disquieting to read the passages about first Levade, and then the children, as they meet their horrific and appalling fates. Faulkes is a masterly storyteller, and succeeds here in crafting an enthralling, moving novel which I could not put down for long, and which I would like to read again one day.
Never Forget! (2008-03-02)  This, again, was a second reading and well worth it. Had I not read it directly after revisiting 'Birdsong', I would probably have rated it 5 stars. Birdsong, however, is one of the best novels I've ever read, and although CG is very good, it does pale a little by comparison. Charlotte Gray is the daughter of Colonel Gray, Stephen Wraysford's superior officer in Birdsong and this is the main connection between the two novels. Other reviewers here have already given very worthy comment on this novel, but I would like to add that the overwhelming feeling it left me with was that we must never forget what man did to fellow man - the fact that human beings are capable of such evil. I would thoroughly recommend this book - it's a harrowing, but gripping tale of wartime France and serves as a very real reminder.
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