Williams: Schindler's List Original Soundtrack [SOUNDTRACK]

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Composer : John Williams
Orchestra : Original Soundtrack
Orchestra : Li-Ron Herzeliya Children's Choir
Performer : Itzhak Perlman

Product Details

Binding : Audio CD
EAN : 0008811096922
Label : MCA Records
Number of Discs : 1
Product Group : Music
Release Date : 2002-03-11
Running Time : 64minutes
UPC : 008811096922

ASIN : B000002OR4

Track Listings for

Disc-1
1. Theme From Schindler's List - Itzhak Perlman, Boston Symphony Orchestra, John Williams
2. Jewish Town (Krakow Ghetto, Winter '41) - Itzhak Perlman, Boston Symphony Orchestra, John Williams
3. Immolation (With Our Lives, We Give Life) - Boston Symphony Orchestra, John Williams
4. Remembrances - Boston Symphony Orchestra, John Williams
5. Schindler's Workforce - Boston Symphony Orchestra, John Williams
6. Oyf'n Pripetshok / Nacht Aktion - Ronit Shapira, Giora Feidman, John Williams, The Li-Ron Herzeliya Children's Choir
7. I Could Have Done More - Itzhak Perlman, Boston Symphony Orchestra, John Williams
8. Auschwitz-Birkenau - Itzhak Perlman, Boston Symphony Orchestra, John Williams
9. Stolen Memories - Boston Symphony Orchestra, John Williams
10. Making The List - Itzhak Perlman, Boston Symphony Orchestra, John Williams
11. Give Me Your Names - Boston Symphony Orchestra, John Williams
12. Yerushalaim Shel Zahav (Jerusalem of Gold) - Hana Tzur, The Ramat Gan Chamber Choir, Tel-Aviv
13. Remembrances - Itzhak Perlman, Boston Symphony Orchestra, John Williams
14. Theme From Schindler's List (Reprise) - Itzhak Perlman, Boston Symphony Orchestra, John Williams

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Editorial Reviews

Amazon.co.uk Review

Because he's long been stereotyped by the rousing neo-romantic adventure scores for the Star Wars, Indiana Jones, and Jurassic Park franchises, it's easy to forget that composer John Williams is hardly idiomatically challenged. When Steven Spielberg gratifyingly used the clout of his enormous commercial success to produce and direct this brave Holocaust drama, his long-time musical collaborator used the opportunity to display both the depth and maturity of his musical gifts and training, producing a score with sad, evocative melodies frequently carried by the violin of the great Itzhak Perlman. Rich with ethnic nuance and showcasing the composer's masterful orchestral/choral subtlety, Williams's emotionally compelling score for Schindler's List also won the Academy Award for Best Dramatic Score. --Jerry McCulley

Customer Reviews

Unbelievable (2006-06-24)

Yeah Ok the whole CD is based around one theme but it is a film soundtrack so that is to be expected. But the first track is incredible. The solo is played sublimely by Itzhak Perlman. The range on his instrument is amazing as he starts of fairly low and the piece finishes icredibly high. With Itzhak Perlman being from Israel the holocaust is probably something very close to his own heart and while listening to him playing the main theme it's almost like hes crying through the violin. Undoubtedly John William's best work.

Sublime (2004-02-14)

I am not musically trained,let alone classically trained,but I know when something is right: Van Dyck,V8 Chevy,Laurel & Hardy. This soundtrack fits the film and subject like a glove.The repetition is welcome and not gratuitous. Schindlers List would have worked in the silent era with this soundtrack. Listen carefully and you will notice how much it reminds you of the music from the silent era.Inventive,emotive and human.It works.

unparalled in its audacity (2003-04-26)

Spielberg and Williams have a brilliant track record in both the eyes of critics and commercial success. That is the power that these two have when a movie is credited with both of them. However, Williams' success in his other works such as that of the Star Wars Saga, Jurassic Park and Indiana Jones to name but a few have never really had the pure emotion and haunting score of Schindler's List. This is simply his finest work, achieving great success at numerous awards including the academy award for best original score in 1993, and well deserved.Schindler's List has the audacity to stand on it's own as a classical masterpiece that so many scores attempt to be. Williams' and Spielberg not enough, Perlman on the violin brings the most beautiful yet deeply haunting score of Williams' to life. I must admit that i am one for melancholic and depressing scores, nothing moves me more, and this ranks on the top of my list.There are however some criticisms that this score has received, however these are also its strength. There is a high degree of repetition, but the melody is so beautiful that the yearning is still not satisfied, the melody in solo by violin or piano has such an oppressing overtone that one cannot hold back the tears. Yet it seems that the solos are interpreted with a small hope that seems to be held on to so tight in desperation and in oppression, and this small hope is what really drives the score.This is quite simply a classic of scores and no movie score collection will ever be complete without this masterpiece.

Schindlers List (2003-03-27)

A truly beautiful piece of music, from start to end, and totally deserved of the best music academy award for John Williams. Mr Williams has written a lot of tripe over the years but this is a piece of classical modern genious, helped by the superlative playing of one of the finest violinists of our age, Mr Itzak Perlman. This is a piece of music which in it you can hear the agonies of those terrible, terrible times. It is uplifting yet angst ridden, and is full of memorable unforgettable themes. As I have said this disc won the oscar for best music, the Piano, by Michael Nyman ran it a close second, which is also a fantastic piece, only for Shindlers List the Piano would have won the oscar against any contender. It really was a shame that two great scores had to go head to head in the same year. Schindlers List (both film and music 10/10). Tony

Now I don't usually cry... (2003-02-20)

I'd seen the film and couldn't help be moved. I'm the first to say that Speilburg and Williams err on the side of schmaltz (no joke intended it's just the right word) but this music stands up on it's own.

It's not a soundtrack that has to have the pictures to go with it. If you heard it without knowing the emotional context it would still work very well.

I don't play it every week, but when I do I stop. And I listen.But maybe I skip the odd track that repeats a previous theme very closely.

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