A Taste Of Honey [1961]

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Primary Contributor : Dora Bryan
Primary Contributor : Robert Stephens

Product Details

Director : Tony Richardson
Actor : Dora Bryan, Robert Stephens, Rita Tushingham, Murray Melvin, Paul Danquah
Format : Black & White, PAL
Binding : VHS Tape
EAN : 5035673000953
Number of Discs : 1
Product Group : Video
Release Date : 2002-10-21
Running Time : 96minutes
Studio : Bfi Video

ASIN : B00006JY01

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Editorial Reviews

Synopsis

A lively tale of a pregnant Salford teenager, her mother, and her unlikely friendship with a homosexual. Based on a book by Shelagh Delaney.

Customer Reviews

Classic Gritty Northern Realism (2008-02-16)

We are so used to this kind of drama on TV now, that it is difficult to imagine how new and sensational fims like this were back in 1961.None of Audrey Hepburn's characters ever did a flit through a cellar window to avoid paying the rent, then caught a bus across Manchester/Salford, complete with a stinking cold. This was groundbreaking stuff.The story almost tells the future we live in. School girl pregnancy, homosexuality, mixed race relationships and less than perfect parenting. It is all presented in a fairly neutral way. It just tells it like it is, and neither condemns nor praises.Dora Bryan is very good in her role, as is Rita Tushingham. Their Mother and daughter combo seems so real. Dora especially adds comedy to it, and makes it lively and more interesting. This is an important piece of British cinema. 'Saturday Night Sunday Morning' is another in the same genre that is equally good.

Kitchen sink-tastic! (2005-03-23)

All the previous reviews have summed it all up, all I will do is remind people that if they like their 'grim up North' kitchen sink dramas then this is one of the best there is (on par with 'Cathy Come Home')

It's a classic and important slice of British cinema from the 1960's, check it out!

Defines an era (2004-06-04)

This film defines the beginning of the sixties, with Britain emerging out of the long years of postwar austerity, and as such, is useful for students of postwar history as well as cultural studies. More than anything, it depicts, without romanticism, the working class ! The pub scenes and a crowded Blackpool depict a bygone age when youth culture was becoming available to all, technology hadn't wiped out people's jobs and much of the Victorian housing hadn't been cleared in favour of housing blocks.

For people now in their 20s and 30s, this film marks the start of "our time" - which could mean single parenthood, awkward adolescence and materialism - amongst other things... and I'm sure our heroine Jo would make a good mother, in her own way. Does she remind anyone of their own mother? Time has aged this film like a classic wine.

Whilst the film doesn't romanticise the people involved, it is certainly a film with a sweeping romantic current. Expression of this is through the powerful and consuming but often clumsy, doomed relationships depicted in the film. Arguably this is the first and last social(ist) realist love films.

Salford does look pretty grim in this film, littered with smokestacks and factories, but there is so much depth in the performances of Murray Melvin, Rita Tushingham and especially Dora Bryan, that an eventual view of the city emerges as a human, even compassionate place.

Of course if the director and writer had set out to make such an epoch-defining film it wouldn't have happened. But it appears they stumbled into making what I would argue is one of the finest British films ever made.

A Desert Island film (2002-12-14)

I first saw this film shortly after it came out in 1961 and have been in love with it ever since. I have always thought of it as a "quiet landmark" in the history of cinema and naturally assumed it would have been among the first to be issued on DVD. But noisier less interesting films got in the way and this one has had to wait its turn to see the light of new technology. It's a worthwhile wait and it's a timeless classic. Rita Tushinghams performance is unforgettable, as is the rest of the cast. Sadly, I think "Taste Of Honey" has been left out of the conversation when the subject of "new wave films of the 60's" comes up. Having initially seen this film along with the works of Truffaut, Goddard and Tarkovsky I would rank "Taste Of Honey" among that wave of films that irrevocably changed our view of cinema. It's ironic that the DVD of this film is available the same time as "Ivan's Childhood", Tarkovsky's masterpiece. In its way, "Taste Of Honey" holds its own, albeit "Ivan" is a wildly different kind of film. "A Taste Of Honey" above all is a wonderful work of art that shows no sign of age and no loss of character. It is an essential film.

A Taste of Honey, a taste of pure nostalgia (2002-12-07)

Shot mainly on location in the cities of Salford and Manchester, this gritty 1961 film by Tony Richardson, based on the play by Shelagh Delaney, deals with what were the sensitive subjects of the time namely, mixed race relationships, homosexuality and teenage pregnancy. Jo, who is first seen as an awkward schoolgirl,lives with her somewhat wayward and sluttish mother, Helen, who has an eye for the men and seems always to be one step ahead of the rent man. Jo meets and falls for a young black sailor, Jimmy, whilst mother Helen agrees to marry local business shark Peter, who has an eye for the ladies. Following an aborted trip to Blackpool from which Jo returns alone early, she meets up with her new boyfriend and spends the night with him. Helen returning the following day packs her bag and leaves to get married and move to bungalow with her new found husband. Jo, on her own not for the first time, finds her own place to live and a job in a local shoeshop. She subsequently meets Geoff, a kind and gentle gay student who has been evicted from his lodgings because of his sexuality. Geoff is invited to move in with Jo and in essence becomes a substitute mother to her especially when she reveals she is pregnant to a "black prince". Although Geoff has feelings for Jo she rejects his advances and his offer of marriage "for the babys sake". Despite their apparant happiness together the peace is shattered by the return of Helen to look after her daughter in her hour of need, resulting in Geoffs timely and prudent departure.

This film portrays all the prejudices of the time but whilst pointed is also poignant. The characters of Jo, Geoff and Jimmy seem almost childlike and naive in their approach to life and their circumstances but Helen and Jo add humour to their mother and daughter relationship with some brilliant "catty" dialogue.

Strong performances by both Rita Tushingham as Jo,in her first film and by the irrepressible Dora Bryan as Helen. Murray Melvin sensitively plays Geoff and Robert Stephens plays Helens learing husband Peter.

A film for the classic film buff or for anyone who remembers Salford and Manchester in the 1960s

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