Confessions on a Dance Floor

Product Details

Artist : Madonna
Binding : Audio CD
EAN : 0093624946021
Label : Maverick
Number of Discs : 1
Product Group : Music
Release Date : 2005-11-14
UPC : 093624946021

ASIN : B000B8QEZG

Track Listings for

Disc-1
1. Hung Up
2. Get Together
3. Sorry
4. Future Lovers
5. I Love New York
6. Let It Will Be
7. Forbidden Love
8. Jump
9. How High
10. Isaac
11. Push
12. Like It Or Not

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Editorial Reviews

Amazon.co.uk Review

Apparently there's nothing in Kabbalah that disallows sweaty, head-spinningly good dance music, because here comes a flame-haired Madonna hawking a dozen songs' worth: Confessions on a Dance Floor darts seamlessly from Madge's early days, when she emerged as the genre's enduring darling, through the political, kiddie, and acoustic pap that drove a wedge between her and early adopters of the fingerless glove look.

Songs like the pop-leaning "Jump" and first single "Hung Up"--an adrenaline drip on high that, like many of these tracks, will inspire mild shame among those who've thrilled to the much thinner disco-dusted outpourings of younger divas recently--represent both a return to form and an unmistakable march into the future. "Get Together" is a sonic freak-out in the best sense; "Push" traffics in gut-level futuristic trance; and "Forbidden Love" loops in '80s blips and bleeps for a follow-me-into-the-past effect that's both neo and retro.

For all the image-affirming innovations here, though, these confessions find Madonna framed in her share of reflective moments too. "Was it all worth it/How did I earn it?" she asks on "How High," a song featuring vocoder. "Nobody's perfect/I guess I deserve it," comes the answer.

A later lyrical inquiry is left for the listener to judge: "Does this get any better?" Madonna wants to know. But that opens the door to a dizzying proposition--few of us would have guessed, after all, that it got this good. --Tammy La Gorce

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Product Description

Destined to be one of the records of the year, Confessions On A Dance Floor is the eagerly anticipated new album from Madonna. Effortlessly addictive and relentlessly energetic, Madonna reinvents dance music once again with 12 stunning new tracks under the realm of ‘future disco’ – all seamlessly segued in a classic dance club format.

Recorded in London, Confessions On A Dance Floor was primarily written and produced by Madonna and Stuart Price - the British musical director behind 2002’s "Drowned World" and last summer’s "Reinvention" tour.

While Madonna’s music is often both ethereal and political, Confessions On A Dance Floor is sheer, absolute discotheque. "I want people to jump out of their seats," she says. "My record is about having a good time straight through and non-stop."

"This is music that just comes very naturally to her," says Grammy Award-winning Price. "The songs flowed very quickly. Madonna was very interested in capturing the moment because, when all is said and done, it’s that instinctive joy of rhythm and movement that comes across best on the dance floor." Madonna and Stuart Price co-produced the album together with contributions from Henrik Jonback and the Grammy Award-winning team Bloodshy & Avant. Mirwais Ahmadzai, who produced Madonna’s last two albums American Life and Music, has co-written two new songs and co-produced one track. Other collaborators include Anders Bagge and Peer Astrom of the Murlyn Music Collective and Jo Henry whose previous credits include "Don’t Tell Me".

Description

Follow-up to 2003's American Life from pop-queen Madonna. Co-written and primarily co-produced by Madonna and Stuart Price, the album was recorded in London. Experimenting with anarray of electronic dance beats and samples, this offering strays away from her usual straight pop sound. The single 'Hung Up' is included.

Customer Reviews

Confessions (Madonna At Her Best) (2008-07-21)

This is truly madonna's best album to date with classics like sorry hung up i love new york like it or not jump get together and all of the album is fantastic! 10/10 must buy!

SHE'S GOOD FOR HER AGE.....not!!! (2008-07-08)

It comes as no surprise that Madonna gets the retarded media to focus on her looks in ratio to her age. Basically, she and all her output are so shallow you couldn't even splash around in it/her - now there's a nasty image!! This over hyped album is YET another yawn fest of insincere, musically cliched (as in done to death already and done miles better than this!)anodyne trash masquerading as state of the art.....Give it a rest you old rip off merchant! Leave us in peace and let a real musician have the space your're bulemically gorging up!

another great album by MADDIE!!! (2008-06-16)

Confessions on a Dance floor is an astonishing album filled with disco themed tracks and overflowing with style.all tracks are just fabulous.my favourite albums in order are(split up to love([])enjoy({})and are okay)-[music,like a prayer,erotica,true blue,CONFESSIONS,hard candy,American Life],{ray of light,Madonna,bedtime stories,like a virgin},I'm breathless(buy for vogue),and who's that girl?(not a great album).the tracks are fantastic-HUNG UP-10+/10-a fantastic track and a classicGet Together-9/10-pulsating beatSORRY-10/10-another fantastic trackFUTURE LOVERS-10/10-awesome track,quite something to behold.I LOVE NEW YORK-9/10-strong songLET IT WILL BE-10/10-stands outFORBIDDEN LOVE-10+/10-a meaningful track with a fantastic beat(nothing like the bedtime stories track)really fantastic!!JUMP-10+/10-glad she released this as a single...have loved this track since i first heard itHOW HIGH-10/10-a well collaborated song and stands out.ISAAC-10/10-quite an unusual song yet pretty spectacular...gets your body moving:)PUSH-8/10-a more calm song but still good pacing and beat to keep it going strong.LIKE IT OR NOT-10/10-a dance ballad about her career and her life and brings a great closure to quite a spectacular album.one of my favorites from the highly praised singer(and leGend)although #5 on my list it is amazing as are the albums before it(music etc.)and surpasses American life(also a very good album)...this continues with the fabulous back to basics album HARD CANDY!!!!buy buy BUY!!!

Just One Try, That's All It Takes! (2008-05-10)

This album is the cure for any person who feels down or just in need of a highly energetic funky disco rush. The dance ambiance is on high gear smashingly going from track to track non-stop --no pauses or breaks. It's about leaving your worries behind, forgetting your problems, and experiencing something completely different! Hung Up, Get Together, Sorry, and Jump are definite stand-out tracks with much catchy infectious grooves sure to satisfy. The other tracks are excellent enough to be singles as well. Let It Will Be is a fabulous track of letting things take their course and just letting go as destiny takes care of your worries. Push is a song she did for her husband Guy Ritchie expressing how his love helps her reach greater heights at times. Isaac has a very spiritual aura very refreshing to hear as Ray of Light also had many journeys of the soul. Hung up about a lover who doesn't respond to phone calls or gestures? Let it will be, like it or not life goes on; don't push or jump to the thought of future lovers. Get together with friends, talk about your fantasies and forbidden love; Don't be sorry. Take your problems to the dance floor, let the emotions disappear, don't look back, dance away, and experience the future!

Are you ready to Jump? (2008-04-29)

On "How High?" she questions "Does this get any better?". The short answer is: No. No, it doesn't. With its predecessor being the acoustic introspection of "American Life", "Confessions on a Dance Floor" is a complete polarity. A "non-stop, all dance, tour-de-force", complete with Kabbalistic lyrics, seamless mixing and choruses more triumphant than an Ayn Rand hero. Beginning with the ticking of a clock and lyrics such as "those who run seem to have all the fun", "Hung Up", is a dance anthem on par with "Vouge" and "Deeper and Deeper". Easily her most commercial single since the very early 90's, it overtakes the famous ABBA sample and quite literally turns it into its own. Its breakdown into angelic electronica during the second verse, ranks among the most inspired musical moments of her career. Bellissimo. With the ringing of an alarm "Get Together", a Stardust-esque Daft Punk tribute, lands like a giant discotheque Spaceship. Being pulsating and mystical in equal doses it calls to mind the resurrection of the sun on an Ibiza summer morning. "Sorry" is, simply put, the most fabulously camp song in the entire Madonna canon. Lyrically, the product of a vengeful drag queen, the project sounds like something that the Pet Shop Boys would have produced for Gloria Gaynor. Likewise, on an album which pays homage to great Gay Icons of the past, the mandatory nod to Donna Summer finds its form in "Future Lovers". "Some have called it religion" indeed some may very well have if she had added a few lines from the chorus of "I Feel Love" (this was later employed during the opening of the "Confessions Tour") towards its closing. "I Love New York" was best left on the set list of the "Reinvention Tour". A disappointing affair considering the hype that surrounds it, its essentially punk undercurrent fails to consummate with an essentially 80's pop production. Tellingly, insite of the hype, it was not released as a single. Dramatic and stirring strings (falsely reported to have been sampled from "Papa Don't Preach") open the precessions of "Let It Will Be" implying that after the hedonism of the opening tracks something of a more serious nature is about to be said. Its reflective analysis of her rise to fame gives the impression of a woman no longer enthralled by the promises of materialism and stardom while slowly building into a dance extravaganza that would not be out of place on a remixed 1980's disco compilation. "Forbidden Love" is the Disco answer to Michael Jackson's "In The Closet" its icy sexuality reminiscent of the Dita Parlo alter-ego and at this point in the album, a welcome breather. The spectacular "Jump" (a song which Kylie Minouge would literally kill for) lyrically recalls her leaving home and heading for New York in search of fame. A genuine copper-bottomed pop anthem which in its lyrics, melody and production is quintessentially Madonna make clear that, like Madonna's music in the 80's, she is the focus point. "How High" is a weak moment (a song that deals with the inconsequentiality of fame and money) which lyrically echoes the far superior "Let It Will Be" and contains copulas use of a vocoder. Fortunately she had the savvy the place it between "Jump" and a recording of an exceptionally powerful nature. It is quite difficult to put into words how excellent "Isaac" is. Its controversial inclusion of Hebrew chanting - it was also initially titled "The Binding of Isaac" which was dropped due to it being likely to inspire violence from Orthodox circles - marks what is arguably the greatest piece of work which Madonna has ever executed (Please take a moment to consider the implications of this). Lyrically, melodically and vocally it ascends to the heights of the Stars and returns to Earth with a formulae which can only be described as the Hasidic version of "Like A Prayer". Why it was not commercially released is almost as mysterious as the song itself. "Push" is a sledgehammer of a song. Evidently written about Guy Ritchie, a determination is present in her voice that previously has only been seen in the bridge to "Open Your Heart". The mellow and almost R&B of "Like It Or Not" winds the whole thing up. Its Edenic lyrics reassure that she has no intention of slowing.Of course by the end of "Confessions on a Dance Floor" those reassurances are unwarranted. Madonna has a track record which would put Rocky to shame, but even as such, only the insightful would have expected this. That it ranks amongst her best work is no understatement. Pulling out all the stops in what is a compilation of Gay Disco, Electronica and solid gold Pop, indeed it ranks amongst the best Pop work of the century. Now report to the dance floor!

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